View profile

🍂 There Are Many Ways to Apocalypse

🍂 There Are Many Ways to Apocalypse
By Autumn Wright • Issue #3 • View online
This week I will be presenting at the CUNY Graduate Center’s English Student Association conference, End Times: Approaches to The Apocalypse. You can sign up for the day of events here. My panel session, Futurity and What Comes Next, runs from 9:45 - 11 am EST. It is my first time presenting as an independent scholar, and I’m very excited to pretend to know what I’m doing! As for the paper itself, this research emerged as an extension of what I initially wrote in my column at Unwinnable Monthly last October. More on that below.

There Are Many Ways to Apocalypse. | Unwinnable
The title of this essay is stolen right from Heather Smith’s fantastic entry to the Adventure Time Forum, a single issue journal published well before the final arc of the show that took a critical lens to the land of Ooo. Smith positions Adventure Time as post-post apocalyptic, placing it more closely to anime and the work of Hayao Miyazaki than the dystopias and nuclear wastelands of American fiction. The difference is more than settings though. American apocalypses and post-apocalypses betray anxieties and assumptions of their creators (however intentional in the work). Fisher himself introduced the Capitalist Realism with an analysis of the post-apocalypse in Children of Men, arguing that the dominance of certain post-apocalyptic narratives demonstrates capitalisms occupation of “the horizons of the thinkable.” But this isn’t the only way to apocalypse.
Before I would have recognized it as such, the post-post apocalypse had been a powerful fantasy for myself and American audiences. See: the success of Ghibli. More recently though was Breath of the Wild. While certainly inspired from Princess Mononoke, BotW is a return to the ways of living that Mononoke cherishes, it comes after the end rather than exists before the emergence of such calamity. But it is not that BotW is an end as much as the beginning of the cycle returning anew. I dig into the nostalgia of this futurity more in my upcoming paper.
I also wrote this piece alongside my essay at Polygon on 13 Sentinels, reading Fisher more closely. In it, I connect apocalypse to the idea that history has died, won’t die, or could start up again as a way to indirectly critique of the conservatism of other post-apocalyptic narratives of 2020. Namely: The Last of Us Part 2.
My presentation will return to Adventure Time with a necessary look at Japanese post-post apocalypticism. I will be making it available for future reference in some way if you can’t catch it live, and I will write more about it here when that goes up.
Postscript
Almost all my writing is compensated to some extent, but these letters do take time and effort to create. If you enjoy this and want to support my work, consider supporting me on Ko-fi.
Did you enjoy this issue?
Autumn Wright

Autumn Wright is a Florida based essayist and critic writing about games and culture. Subscribe to Autumn Leaves to get notified via email when they publish new writing. Each update also includes additional writing about their writing and research process.

If you don't want these updates anymore, please unsubscribe here.
If you were forwarded this newsletter and you like it, you can subscribe here.
Powered by Revue