Why Do NFTs Matter for Music?; Square, Tidal and Knowing Your Audience; 'Tiny Desk (Home)' Concert Series Thrives During COVID

Adaptr is a first-of-its-kind platform giving start-ups a way to quickly and legally incorporate popular music into apps, websites and connected devices.

Our secure API provides instant time to market avoiding licensing and reporting headaches. Adaptr has partnered with Warner Music Group for launch as well as a host of leading independent labels including eOne, DistroKid, BMG, A-Train and ADA along with the associated publishing rights. This means that every track is fully licensed and cleared to play.

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The cryptocurrency-adjacent digital art format has driven millions of dollars in sales for musicians including Grimes in recent days. Is it a force for democratizing the industry or just more hype?

Payments companies acquiring music subscription businesses seems like the type of news that makes one question what it is they’ve just read.

A year ago, NPR’s ‘Tiny Desk’ concert series went ‘home.’ Today, it’s thriving thanks to appearances by 2 Chainz, Rick Ross and Roddy Ricch.

With audio streaming growing apace, why are so many artists complaining of earning a pittance from their recordings?

Australians who like their music streaming hi-res may have another choice apart from Deezer, TIDAL and the forthcoming Spotify HiFi. Speculation in audio circles is that Qobuz could launch in Australia by mid-April.

Beatport highlights seven emerging producers who are leading the charge for a more inclusive and musically experimental dubstep scene.

Three years on, the live sector is facing a long road to recovery. Loadin.com is rebuilt for the post-COVID landscape, and is along for the bumpy ride.

Share playlists, listen with friends remotely, and stay connected with these tips.

Rebeleon Entertainment is pioneering the release of music using a new, richer audio format that can be experienced on any set of headphones.

Tencent Music, which is listed on the New York Stock Exchange, lost about a third of its value last week amid a sell-off in Chinese technology stocks.

In the past decade, streaming has become synonymous with music fandom and consumption. But commercially it’s still an unequal playing field, to the detriment of our favourite rock bands…

Music industry rights licensing body PRS for Music has revealed what it describes as “encouraging” figures demonstrating the continued success of its Member Anti-Piracy System (MAPS) in the battle against digital music piracy, five years on from its launch.

LiveXLive Media announced today a distribution partnership with Vice Media Group under Vice Media’s new platform VMG Live.