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October 8 · Issue #1042 · View online |
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Spotify’s new Soundtrap capture app offers collaborative voice notes for songwriters
Acquired in 2017, Soundtrap more or less serves a similar role as Anchor under the larger Spotify banner — albeit largely focused on music creation, instead of podcasting.
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How music podcast "Song Exploder" became a Netflix series
The long-running “Song Exploder” podcast becomes the latest audio series to get transformed into TV content, courtesy of Netflix.
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Beatchain Announces Fan Builder, a High-Tech, Ad-Buying Feature for Artists
Building off its unique big data dashboard of digital insights, Beatchain has created an easy-to-use feature guiding artists and music managers through building their fanbase with targeted advertising buys.
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How Better Noise is expanding beyond music – to help its artists, and recovering addicts
Traditionally, independent labels have tended to focus solely on music – perhaps one genre of music – in just one or two markets. Better Noise is not that kind of independent label.
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Deezer commissioned covers for its new 'InVersions' album
Like its streaming rivals, Deezer is experimenting with commissioning original music that won’t put labels’ noses out of joint.
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Spotify adds video for 'Written by' songwriter playlists
In February this year, Spotify launched a beta ‘Songwriter Pages’ feature offering more visibility for songwriters on its service.
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Triller To Offer Live Streaming Starting On October 12th
Triller users will have the ability to livestream content, further expanding Triller’s capabilities as the social platform’s user-base grows. This new feature will offer creators a new way to monetize their content.
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Warner Chappell's Keith D'Arcy on R.E.M., Music Podcasts and the Joy of Deep-Catalog Syncs
Plus, what artists really want out of brand relationships.
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UK National Album Day 2020 Reader
The excess of the 80s produced monster pop albums that many artists still aspire to today, but times have changed.
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How MIDI Can Help Or Hurt Your Music
Leaning too heavily into the convenience technology offers can be bad for our music. This especially goes for writing and performing with MIDI instruments.
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How much can a livestreamed music performance earn you?
With 2020’s lockdowns, online performances have become huge and we’re starting to see just how profitable a livestreamed performance can be.
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Camille Hearst Named Head of Spotify for Artists
Camille Hearst has been named head of Spotify for Artists, the resource for artists and their teams to better understand their audiences.
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