Immersive Tech & the Music Biz; Clio Music Opens for Entries; Flutin Announces Flutin First

The use of immersive technology in concerts is predicted to grow in 2020. Here are just a few companies leading the way in this space.

Built on Clio’s enduring reputation for recognizing the most creative and culturally relevant marketing and communications, Clio Music celebrates the visceral power of music to connect consumers and brands around the world.

Guns n’ Roses is working on new music, but changes to the music industry have cast doubts on the album as a future format for release.

Will Hagle explores what happens when a once-crucial platform for fledgling musicians cleans out the graveyard.

When you want to empower emerging artists and help them find their fans, it’s not just about building a platform or space. It’s about lifting up and investing in promising talent, one compelling musician at a time.

Verge editor-in-chief Nilay Patel chats with musician Neil Young and tech executive Phil Baker about their new book To Feel the Music: A Songwriter’s Mission To Save High-Quality Audio.

A new way to use social media to bring your music to life and heighten engagement with fans.

An excellent laptop and an improvement on the previous model in some key areas, but some elements may still grate on musicians.

Never Before Heard Sounds, A New York-based startup whose currently bare-bones website describes it as “an artist-centric AI music production house.

AM radio’s survival is being challenged by the invasion of new media.

A brief rundown of the most popular music streaming providers and how to
sign up for as little money as possible.

By giving advertisers better targeting and better data, the streaming giant is using a weapon unavailable to the open podcast space, which still mostly sees ads as opaque MP3 files.

Simon & Garfunkel released streaming EP ‘Live at Carnegie Hall 1969’ in January 2020.