Fudge Sunday - Tomorrow You Probably Saw This Already
In this issue, we take a look at the future, past, and the creative combinations of both marked by te
In this issue, we take a look at the future, past, and the creative combinations of both marked by technology and popular media. We’ll look at the relics that persist and the promises yet to be realized. Along the way, the potential for unintended parachronism grows larger with each passing year.
Today, we live in a time where there are growing numbers of electric vehicles that promise to displace both hybrid vehicles and internal combustion engine vehicles. While electric vehicles are seen as the future – there is absolutely a past and history repeating.
For all the shouts of electric cars being the future, the past tells us when there is necessity the future already arrived long ago. In fact, the past might only be at odds with planned obsolesce and other curious quirks of modern consumption.
As modern cargo ships evolve into the cargo ships of the future there will be geopolitical, economic, and then technological considerations. Expect to see solar, wind, hydrogen, and even nuclear become part of the self-driving ships of the future.
At the same time, there are promises of self-driving vehicles on roadways and elsewhere that are fulfilled in very controlled and variable limited situations.
General self-driving vehicles are not yet a reality even by Gibson’s definition. Until then, the training will continue as the machines attempt mimicry and to learn.
The Case for Movies and Gaming
Each year brings greater degrees of cinematic largess to electronic gaming even as movies attempt new formats. Contrasting early pong graphics and sound against the audio-visual splendor of modern games is just one example. Movies like Hardcore Henry are an example of movies influenced by electronic gaming first-person point of view.
Even in movies, there are moments where incidental non-soundtrack scores are a reflection of trying to envision the future. Beastie Boys is considered classical music in the latest reboot of the Star Trek universe.
When I think about the future of music, the first artist that comes to mind is Aphex Twin. Of course, I’m not alone.
While some of my favorite songs are remixes or interpretations by producers, I’ve not developed a taste for mashups yet. Regardless of my personal tastes, the remix culture is now over a decade old. Looking ahead, the future is brighter more varied than ever for artists using new creative tools and how they apply their talent to harness these tools.
Looking back, BT’s release of These Hopeful Machines is almost 10 years old now. Consider that BT, the composer, harnesses electronic music technology as a natural extension of the time we happen to live in now. BT interviews (badly paraphrased by me) posit electronic music technology (had it existed then) would have been the tools of Mozart, Bach, and Beethoven.
Then again, if you like death metal, there’s now computationally generated music based on Canadian death metal (Archspire) being streamed 24/7 on YouTube. The next question to be played out in a court of law will likely be who gets paid – be it monkeys, humans, or the creators of the machines.