Last month, American photographer Jonathan Levitt, together with Los Angeles-based publisher Snail Press, released a new beautiful printed gem named ‘Mawooshen: Life and Landscape of the Maritime Archaic’, featuring over 100 carefully selected film photographs taken over the last 10 years. The name of the book refers all the way back to 1605, when British Captain George Waymouth explored what we now know as Midcoast Maine, in an expedition that included a certain gentleman named James Rosier, who wrote a detailed account that was published in England. During this exploration Waymouth and his men kidnapped five Natives and took them to England. The captives reportedly called their homeland Mawooshen. With his book, inspired by Paleolithic animism, western natural history, and shadow archaeology, Levitt creates and alter-world, named after the original native moniker of the lands, through deeply fascinating photographs of geography, plant and animal life, people, and built objects. All of the images are unstaged, analog, and accompanied by fragments of description. The photographs are arranged according to the seasons in which they were taken and span three cycles. The effect is cumulative and modal like a chant. By telling the story of ‘Mawooshen’ cyclically and ending with the ellipsis of a third spring, Levitt’s cosmology pushes against the linear, eschatological myth of western culture.